To wand or not to wand?
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To wand or not to wand?
I have a question; do you use a wand?
if so why, if not why?
I am interested in your oppinion of why you feel you would or would not use a wand.
if so why, if not why?
I am interested in your oppinion of why you feel you would or would not use a wand.
Re: To wand or not to wand?
Yes I do use a wand. Mainly for certain sleights where the wand acts as cover (vernon wand spin etc) and also as a way to remove my hands from suspicion (pushing a prediction toward a spectator for instance).
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Re: To wand or not to wand?
It's a good question--a very good question.
On the one hand, could anything be more stupid than holding a stick and calling it a magic wand?
On the other hand, could anything be more helpful.
It's a tough question that many great magicians have struggled with and you'll find folks on both sides of the wand ... er, fence.
On the one hand, could anything be more stupid than holding a stick and calling it a magic wand?
On the other hand, could anything be more helpful.
It's a tough question that many great magicians have struggled with and you'll find folks on both sides of the wand ... er, fence.
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Re: To wand or not to wand?
Myself I like to use a wand, but obviously this "stick" can get in the way of most magic. I have found having a wand that breaks down is a real novelty in this situation. I have people often chuckle at the point when I break it down like a pool que. I also like the almost "tribute" type aspect of it. A large majority of laymen think we all use them, at least to a degree, but the two piece wand does take this ancient device and put a more modern spin on it.
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Re: To wand or not to wand?
Vernon used a wand.
Williamson uses a wand.
Bob Read used a wand.
David Roth does not use a wand.
Tommy Wonder did not use a wand.
Williamson uses a wand.
Bob Read used a wand.
David Roth does not use a wand.
Tommy Wonder did not use a wand.
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Re: To wand or not to wand?
It might be hard to do a trick like ring on the wand (stick). Or Jim Ryan's ring rope and wand without one. Magicians like Don Alan and Roy Benson used a wand or a stick in their bowl routine that use a sponge ball retention vanish.
Some like to use a wand in a cups and balls routine - I find for me it gets in the way. But others like to use it. It is hard to do a Vernon wand spin without a wand.
I use a doll rod from the hardware store for ring on a stick. Some people like to use a chop stick. Charlie Miller I understand used the cardboard tube that is part of a hanger that one would hang their pants or slacks on.
My opinion use a wand - if it works for you. If it doesn't fit find something that does - or just don't use one!
Just my opinion.
Some like to use a wand in a cups and balls routine - I find for me it gets in the way. But others like to use it. It is hard to do a Vernon wand spin without a wand.
I use a doll rod from the hardware store for ring on a stick. Some people like to use a chop stick. Charlie Miller I understand used the cardboard tube that is part of a hanger that one would hang their pants or slacks on.
My opinion use a wand - if it works for you. If it doesn't fit find something that does - or just don't use one!
Just my opinion.
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Re: To wand or not to wand?
When I do the Cups and Balls (Vernon routine) I use a piece of Manzanita root that I found in the mountains years ago. I sanded it lightly and gave it a coat of varnish. It is unusual and looks sort of "magicky" and has added to my presentation.
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Re: To wand or not to wand?
When I do the cups and balls I do not use a wand. Who the hell wants to carry a wand about with them? And when I do ring on stick I use Harry Lorayne's excellent idea of using a lecturer's pointer. That way the trick becomes an impromptu one.
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Re: To wand or not to wand?
Here's a cool wand with real powers:
http://www.firebox.com/product/2481/The ... te-Control
http://www.firebox.com/product/2481/The ... te-Control
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Re: To wand or not to wand?
I've always wanted a wand that could shoot flames out of my derriere in case someone like Jeff Busby just happened to be walking behind me.
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Re: To wand or not to wand?
Mark.Lewis wrote:When I do the cups and balls I do not use a wand. Who the hell wants to carry a wand about with them? And when I do ring on stick I use Harry Lorayne's excellent idea of using a lecturer's pointer. That way the trick becomes an impromptu one.
But who the hell wants to carry a lecturer's pointer around with them?
Re: To wand or not to wand?
I use a wand only when I do the cups and balls. It is absolutely essential for three sequences that I use it for. That's why I use it.
KG
KG
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Re: To wand or not to wand?
Nathan, my boy. Methinks you do not know what a lecturer's pointer actually is. It is the size of a pen. And in fact the one I have IS a pen. However, it is telescopic and folds up so it can be carried in a pocket. It has a pocket clip just like a pen does.
The advantage of such is that you can carry it around with you and do ring on stick on a strictly impromptu basis. And if you do the Giovanni method you don't even have to carry a duplicate ring.
As for using some kind of magic wand with cups and balls I have no objection to it at all. It is traditional and has certain advantages. It is just that for me personally my own routine does not require it.
Incidentally I read something in a Genii Magazine about doing what Malini used to do with the balls. He appeared to eat them. I have used this ever since I read it. I have found this sequence remarkably effective and I have never seen anyone do it. Of course now that I have given this away everybody will be doing it.
The advantage of such is that you can carry it around with you and do ring on stick on a strictly impromptu basis. And if you do the Giovanni method you don't even have to carry a duplicate ring.
As for using some kind of magic wand with cups and balls I have no objection to it at all. It is traditional and has certain advantages. It is just that for me personally my own routine does not require it.
Incidentally I read something in a Genii Magazine about doing what Malini used to do with the balls. He appeared to eat them. I have used this ever since I read it. I have found this sequence remarkably effective and I have never seen anyone do it. Of course now that I have given this away everybody will be doing it.
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Re: To wand or not to wand?
This thread reminded me of a story back in the days of the old Bishop's magic shop (Riverside).
It was Christmas time a mom was going to buy a magic set for one of her kids. She asked my Dad to help her choose a set. My Dad took three sets off the shelf - told her what was in each set.
The third set being the largest had a magic wand included. My dad would say - "And this set has most of what was in both these other sets - he would pause - and this set also includes a magic wand.
That set always sold out first.
My dad used to say - from the mom's point of view the kid can't be a magician without a magic wand. And he often used that to sell the magic set.
I think that this is a funny story.
Just my opinion.
It was Christmas time a mom was going to buy a magic set for one of her kids. She asked my Dad to help her choose a set. My Dad took three sets off the shelf - told her what was in each set.
The third set being the largest had a magic wand included. My dad would say - "And this set has most of what was in both these other sets - he would pause - and this set also includes a magic wand.
That set always sold out first.
My dad used to say - from the mom's point of view the kid can't be a magician without a magic wand. And he often used that to sell the magic set.
I think that this is a funny story.
Just my opinion.
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Re: To wand or not to wand?
Being a fan of the use of the wand myself I found your story quite humerous myself. The magic wand is so imbedded in the image of what a "magician" is it almost seems as if its a badge not unlike a police officer would carry.
One good aspect about a wand is that if you really want to people to know your a magician pull out your wand. You will either be recognized as a magician...,or a fairy....,or both!
One good aspect about a wand is that if you really want to people to know your a magician pull out your wand. You will either be recognized as a magician...,or a fairy....,or both!
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Re: To wand or not to wand?
Mark.Lewis wrote:Nathan, my boy. Methinks you do not know what a lecturer's pointer actually is. It is the size of a pen. And in fact the one I have IS a pen. However, it is telescopic and folds up so it can be carried in a pocket. It has a pocket clip just like a pen does.
The advantage of such is that you can carry it around with you and do ring on stick on a strictly impromptu basis.
I know what it is and appreciate the advantage. But the disadvantage is that you identify yourself as the sort of person who would use a pocket protector, a Casio calculator watch and sport a comb-over.
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Re: To wand or not to wand?
Here is another magic wand magic shop story. One day a kid and a few of his friends came into the magic shop - it was after school time and the kid was on his way home and stopped in. I think as I remember it was the day after a magician did a magic special on TV.
And he stopped in to find out a little bit about magic.
He said to me - "Do you have one of those sticks?"
I asked - Sticks?
He said - "You know one of those magic sticks?"
I answered - "Oh a magic wand." And I walked over to get one to show him off the shelf.
The kid answered - "Don't you point that stick at me." As he backed away.
I could hear my dad in the back room almost on the floor laughing because he heard this from the back room. I think the kid thought that I was going to turn him into a rabbit.
Another interesting thing about the magic wand and magic and the magic shop. People often asked - to see a wand. After I would take one off the shelf and place it on the counter for them to look at - they would ask me - What does it do? Or Make it work?
Like the wand did a trick.
I remember one of the guys (other magicians that worked for the shop) used to say at that point. "It doesn't do a trick a wand is for psychological misdirection."
That often got a "Huh? Or a What? From the customer that thought the magic wand did something.
At this point I often took the wand and used the wand to vanish a ball or a coin (into a drop bag) and then I would put the wand back on the shelf and say it needs recharging.
This used to crack my Dad up.
As I remember those old magic shop days!
And he stopped in to find out a little bit about magic.
He said to me - "Do you have one of those sticks?"
I asked - Sticks?
He said - "You know one of those magic sticks?"
I answered - "Oh a magic wand." And I walked over to get one to show him off the shelf.
The kid answered - "Don't you point that stick at me." As he backed away.
I could hear my dad in the back room almost on the floor laughing because he heard this from the back room. I think the kid thought that I was going to turn him into a rabbit.
Another interesting thing about the magic wand and magic and the magic shop. People often asked - to see a wand. After I would take one off the shelf and place it on the counter for them to look at - they would ask me - What does it do? Or Make it work?
Like the wand did a trick.
I remember one of the guys (other magicians that worked for the shop) used to say at that point. "It doesn't do a trick a wand is for psychological misdirection."
That often got a "Huh? Or a What? From the customer that thought the magic wand did something.
At this point I often took the wand and used the wand to vanish a ball or a coin (into a drop bag) and then I would put the wand back on the shelf and say it needs recharging.
This used to crack my Dad up.
As I remember those old magic shop days!
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Re: To wand or not to wand?
Young Nathan is being rather silly again. I must say that it is very tiresome to be continually educating him. He is talking tosh again. I haven't the slightest idea what a pocket protector or a Casio calculator watch is and I have nothing to comb over in the first place. Neither do I think carrying a lecturer's pointer indicates any such thing and if it does who cares a stuff anyway?
I note in "Reputation Makers" Harry Lorayne says he carries one around in his work or at least he used to. Perhaps you should ask him if he wears a pocket protector or Casio calculator watch whatever the hell it is. And from what I have been able to observe he has a full head of hair and no need to comb over anything.
Furthermore there are other advantages to the pointer which are not magic related. Sometimes drop into inaccessible places and the pointer can be very useful in fishing them out.
Now do stop talking nonsense, there's a good chap.
I note in "Reputation Makers" Harry Lorayne says he carries one around in his work or at least he used to. Perhaps you should ask him if he wears a pocket protector or Casio calculator watch whatever the hell it is. And from what I have been able to observe he has a full head of hair and no need to comb over anything.
Furthermore there are other advantages to the pointer which are not magic related. Sometimes drop into inaccessible places and the pointer can be very useful in fishing them out.
Now do stop talking nonsense, there's a good chap.
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Re: To wand or not to wand?
So has this topic switched to using a pointer as a magic wand? I guess I can see that I am sure many of have used a Sharpie or a pen.
So that is one vote for the wand based on the fact that it is a pointer and not the typical magic wand...,right?
I hope my joking sarcasm did translate through this post.
So that is one vote for the wand based on the fact that it is a pointer and not the typical magic wand...,right?
I hope my joking sarcasm did translate through this post.
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Re: To wand or not to wand?
Mark, I am so conditioned by the Vernon and Horowitz 3-cup routines which use a wand that I am curious: what do you do, if anything, such as a mystic pass or gesture, to "cause" the magic to happen? It isn't necessary to do anything, of course; in the 1-cup "guessing game" versions of the Chop Cup the magician lifts the cup and is surprised at the various outcomes.
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Re: To wand or not to wand?
I think the wand is useful for sleight of hand purposes. For example you may wish to conceal balls in your hand and the wand is a useful cover for it. Or you may wish to use wand spin and other vanishes that use a wand. It may also be useful for showmanship purposes as you have just implied.
My own routine doesn't need the wand for sleight of hand purposes and I am danged if I am going to carry a wand around for showmanship purposes when I am a good enough showman to manage without it.
I do use various finger gestures and suchlike to cause the magic to happen along with amusing patter to justify it. For example I will say "I shall make the mystic sign." (then I make the sign but form a mouth noise which I cannot describe in written form) Then I continue, "or in French (I then make another more Gallic sounding noise)" This gets a big laugh especially in Canada where Englis and French are both national languages but it works anywhere. It will not sound funny in print since you can't hear the mouth noises.
My routine si the standard pitchman's routine that u see with the small plastic cups and for my money it is far better than all the fancy difficult sleight of hand versions you see out there. It is virtually self working. I then go into basic sleight of hand, including eating the balls a la Malini and finishing up with a standard large load under three of the balls.
I really don't need a magic wand for any of it so I don't bother.
My own routine doesn't need the wand for sleight of hand purposes and I am danged if I am going to carry a wand around for showmanship purposes when I am a good enough showman to manage without it.
I do use various finger gestures and suchlike to cause the magic to happen along with amusing patter to justify it. For example I will say "I shall make the mystic sign." (then I make the sign but form a mouth noise which I cannot describe in written form) Then I continue, "or in French (I then make another more Gallic sounding noise)" This gets a big laugh especially in Canada where Englis and French are both national languages but it works anywhere. It will not sound funny in print since you can't hear the mouth noises.
My routine si the standard pitchman's routine that u see with the small plastic cups and for my money it is far better than all the fancy difficult sleight of hand versions you see out there. It is virtually self working. I then go into basic sleight of hand, including eating the balls a la Malini and finishing up with a standard large load under three of the balls.
I really don't need a magic wand for any of it so I don't bother.
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Re: To wand or not to wand?
Still seems more about the character and consistency than method here.
Mundus vult decipi -per Caleb Carr's story Killing Time
Re: To wand or not to wand?
Jon,
If I don't need a wand to do the trick I don't use it. Most here, seem far more pragmatic about all this.
I can't separate myself from whoever does all those tricks with my voice and fat body. I know nothing of character. I do know I'm pretty consistently pragmatic though.
I think it's all about method.
KG
If I don't need a wand to do the trick I don't use it. Most here, seem far more pragmatic about all this.
I can't separate myself from whoever does all those tricks with my voice and fat body. I know nothing of character. I do know I'm pretty consistently pragmatic though.
I think it's all about method.
KG
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Re: To wand or not to wand?
Mark.Lewis wrote:Young Nathan is being rather silly again. I must say that it is very tiresome to be continually educating him. He is talking tosh again. I haven't the slightest idea what a pocket protector or a Casio calculator watch is and I have nothing to comb over in the first place. Neither do I think carrying a lecturer's pointer indicates any such thing and if it does who cares a stuff anyway?
I note in "Reputation Makers" Harry Lorayne says he carries one around in his work or at least he used to. Perhaps you should ask him if he wears a pocket protector or Casio calculator watch whatever the [color:#CC0000]hell[/color] it is. And from what I have been able to observe he has a full head of hair and no need to comb over anything.
Furthermore there are other advantages to the pointer which are not magic related. Sometimes drop into inaccessible places and the pointer can be very useful in fishing them out.
Now do stop talking nonsense, there's a good chap.
Hell yeah! Go get 'em, champ.
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Re: To wand or not to wand?
Hi Kent,
If I might jump in: the question to use a wand comes down to more than method, in my opinion. It answers a dramatic question within the magical playlet of which you are the star: the question of where your magic power comes from.
If your power comes from a wand, then you'd use it not only for the cups, but for everything magical that you do. Conversely, if it isn't your source of power, then you wouldn't bother with it for anything.
Practical sidenote: using a wand for the cups and nothing else raises questions of method that I wouldn't want my audience to ask.
Best,
Neil
If I might jump in: the question to use a wand comes down to more than method, in my opinion. It answers a dramatic question within the magical playlet of which you are the star: the question of where your magic power comes from.
If your power comes from a wand, then you'd use it not only for the cups, but for everything magical that you do. Conversely, if it isn't your source of power, then you wouldn't bother with it for anything.
Practical sidenote: using a wand for the cups and nothing else raises questions of method that I wouldn't want my audience to ask.
Best,
Neil
Neil Tobin, Necromancer
Re: To wand or not to wand?
Neil,
If I had your presence and ability to scare the living crap out of people I might worry about how a wand might affect my dramatic persona.
I don't have one though. I'm an old fat guy who does a few tricks. If people think I use the wand only during the cups and balls because I need it for that trick, more power to 'em. I work hard enough at my version of it that most, including magicians, seem adequately bemused. The wand works for me doing the trick just like this:
http://www.youtube.com/watch?v=t__UnSXmjvc
KG
If I had your presence and ability to scare the living crap out of people I might worry about how a wand might affect my dramatic persona.
I don't have one though. I'm an old fat guy who does a few tricks. If people think I use the wand only during the cups and balls because I need it for that trick, more power to 'em. I work hard enough at my version of it that most, including magicians, seem adequately bemused. The wand works for me doing the trick just like this:
http://www.youtube.com/watch?v=t__UnSXmjvc
KG
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Re: To wand or not to wand?
IMHO The basic questions remain:
1) how does your character signal magic happening to the audience?
2) how does your character direct audience attention?
1) how does your character signal magic happening to the audience?
2) how does your character direct audience attention?
Mundus vult decipi -per Caleb Carr's story Killing Time
Re: To wand or not to wand?
In his "Expert Coin Magic... Made Easy" DVD set David Roth has a section (that he includes on two of the three discs) on the wand's importance in close-up magic - particularly coin magic of course - in which he describes it a purely a prop to show that a dirty hand is otherwise apparently empty. He also shows that a "wand" can be any of several different objects. Of course to the very skilled practitioner - Roth included - such props aren't necessary to show a hand as apparently empty; their skill allows them to show the hand empty all by itself! Of course there are many magicians who are considerably less-talented (umm, that would include me!) who benefit from using a wand - or lighter, or cell phone, or another coin - to convince spectators that our hand is "empty". Also, wands are great for shows for children - they love 'em!.
Plus, a really good wand spin or two can certainly add some flourish to a routine!
Thanks!
Jim
Plus, a really good wand spin or two can certainly add some flourish to a routine!
Thanks!
Jim
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Re: To wand or not to wand?
And you see Roth using a wand where? (and if anywhere, what distinguishes when/where he uses a wand from not?)
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Re: To wand or not to wand?
Kent Gunn wrote:Neil,
If I had your presence and ability to scare the living crap out of people I might worry about how a wand might affect my dramatic persona.
I don't have one though. I'm an old fat guy who does a few tricks. If people think I use the wand only during the cups and balls because I need it for that trick, more power to 'em. I work hard enough at my version of it that most, including magicians, seem adequately bemused. The wand works for me doing the trick just like this:
http://www.youtube.com/watch?v=t__UnSXmjvc
KG
I concur (well, not about the "old fat" part :) ).
While I appreciate the desire to be consistent, and the committment to character, even if one is trying to portray a character where "I have real magic powers" the wand still does not necessarily have to be cast as the source of such powers in every trick. It could still be played as just a tool to focus one's powers for a particular effect--the true magic is within you.
I prefer to take the "ordinary guy that knows a few cool tricks" approach, so although I try not to underestimate the audiences' intelligence, I doubt they sit around wondering if the wand is being used to make a hand concealing an object more natural appearing. I think that laypersons are already socialized that a magic wand is associated with magic, so it's presence isn't questioned. (For example, show a child a drawing of a typical magic wand, and I suspect they'll recognize it instantly).
It's like trying to explain to your audience exactly what an Okito Box is. Roth just calls it a "magic box" and goes--IMHO, sometimes we seek to supply answers for questions the majority of the audience is not asking.
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Re: To wand or not to wand?
Hi Erdnasephile,
I absolutely agree: the wand can be handled as a tool that focuses your powers for specific situations. That's a dramatic choice.
What isn't a dramatic choice is using a wand simply to cover your tracks during a particular trick.
The choreography may be the same in both instances. But I would suggest that your attitude as a performer will be different, and that your audience will notice.
Best,
Neil
I absolutely agree: the wand can be handled as a tool that focuses your powers for specific situations. That's a dramatic choice.
What isn't a dramatic choice is using a wand simply to cover your tracks during a particular trick.
The choreography may be the same in both instances. But I would suggest that your attitude as a performer will be different, and that your audience will notice.
Best,
Neil
Neil Tobin, Necromancer
Re: To wand or not to wand?
Richard Kaufman wrote:I've always wanted a wand that could shoot flames out of my derriere in case someone like Jeff Busby just happened to be walking behind me.
Ah, I see a new product now, called "Le Petowand."
For those who enjoy wand esoterica, try reading Antony Real's book, The Story of the Stick in All Ages and Lands.
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Re: To wand or not to wand?
Jonathan Townsend wrote:And you see Roth using a wand where? (and if anywhere, what distinguishes when/where he uses a wand from not?)
Would you count the use of a tuning fork as a magic wand?
If so then David Roth uses/used a wand.
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Re: To wand or not to wand?
As best I recall his act and that routine in particular: He picks up the tuning fork and pretty much repeats the gesture he uses in the tricks before (portable hole) and after (coin box routine) while that prop is inhand. Similarly not sure if he uses the sharpie as a wand in the planet trick. I don't recall any wand type use in the Sleeve even to set up the 'big finish'
I don't recall him using a wand in his treatment of the Cylinder and Coins routine - which is where you're imagine such a thing would come in real handy since you have to hide four coins at one point in the routine.
I don't recall him using a wand in his treatment of the Cylinder and Coins routine - which is where you're imagine such a thing would come in real handy since you have to hide four coins at one point in the routine.
Last edited by Jonathan Townsend on January 8th, 2010, 6:34 pm, edited 0 times in total.
Reason: Seems more useful to give the facts than try to be "right".
Reason: Seems more useful to give the facts than try to be "right".
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Re: To wand or not to wand?
I personally feel that a wand should be used for all of your effects or none of them. I have no problem with either of these approaches. Even with the cups and balls, if a tap of the wand causes magic to happen, why set it down?
"Hope I Die Before I Get Old"
P. Townshend
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Re: To wand or not to wand?
Brandon--if you were to perform a card effect like 3 card monte or wild card, and follow it with the cups and balls, would you also use the wand for those card effects?
For the close-up magician, I believe the power of the wand is to make small objects vanish, appear, or change in your hands. I've seen coin magicians like Curtis Kam use a wand and a number of other magicians utilize it in a cups and balls routine. Within that context, where small objects like coins and balls vanish, change, or appear, it makes perfect sense to wield a wand.
In his text Charles Bertram the Court Conjurer, Edwin Dawes devotes a chapter on the wand titled "Bertram On The Use Of The Wand." Dawes writes:
Bertram also expressed views on the type of wand to use, favoring a plain, polished ebony style, a little more than half-an-inch in diameter, and about sixteen inches in length, without any ornamentation. Indeed, he was dismissive of the more ornate type of wand, commenting, "I have seen performers using a wand made with two silver serpents coiled around a tortoise shell stick, and surmounted by a large ivory death's head--a very massive and elaborate arrangement indeed, and others using a massive silver-plated baton, something like a Lord Mayor's mace in miniature; these massive wands seem to me to be out of place in the hands of a conjurer, the mystic touch of a necromancer could hardly be imagined to be given to a delicate article with an unwieldy instrument, heavy enough to break open an ordinary packing case. No! I think the less pretentious the wand, the more the idea of mystery is conveyed."
For the close-up magician, I believe the power of the wand is to make small objects vanish, appear, or change in your hands. I've seen coin magicians like Curtis Kam use a wand and a number of other magicians utilize it in a cups and balls routine. Within that context, where small objects like coins and balls vanish, change, or appear, it makes perfect sense to wield a wand.
In his text Charles Bertram the Court Conjurer, Edwin Dawes devotes a chapter on the wand titled "Bertram On The Use Of The Wand." Dawes writes:
Bertram also expressed views on the type of wand to use, favoring a plain, polished ebony style, a little more than half-an-inch in diameter, and about sixteen inches in length, without any ornamentation. Indeed, he was dismissive of the more ornate type of wand, commenting, "I have seen performers using a wand made with two silver serpents coiled around a tortoise shell stick, and surmounted by a large ivory death's head--a very massive and elaborate arrangement indeed, and others using a massive silver-plated baton, something like a Lord Mayor's mace in miniature; these massive wands seem to me to be out of place in the hands of a conjurer, the mystic touch of a necromancer could hardly be imagined to be given to a delicate article with an unwieldy instrument, heavy enough to break open an ordinary packing case. No! I think the less pretentious the wand, the more the idea of mystery is conveyed."
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Re: To wand or not to wand?
Per Leonard's post - how about the use of a nice pen in place of a wand for when the audience is very close or the objects small?
Mundus vult decipi -per Caleb Carr's story Killing Time
Re: To wand or not to wand?
Brandon Hall wrote:I personally feel that a wand should be used for all of your effects or none of them. I have no problem with either of these approaches. Even with the cups and balls, if a tap of the wand causes magic to happen, why set it down?
Leonard raised a good point about the card tricks. It's tough to do a turnover pass with a wand stuck in your hands.
You set it down because you use the silly thing to hide other things in your hand. Sometimes you need to set the thing down to move other props. Sometimes you need both hands to:
Faro the deck. (Real men do that one-handed, but I digress)
Load a cup.
Do split fans.
You get my drift. Some magicians use the wand to motivate other actions. Watch this Brandon.
http://www.youtube.com/kentfgunn#p/u/9/t__UnSXmjvc
I needed the wand to do many things. I didn't need it at other times. I tried to use it, in some instances where the mechanics of the trick don't require it.
It would look really stupid to use it in a card set.
KG
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Re: To wand or not to wand?
Kent Gunn wrote:... It's tough to do a turnover pass with a wand stuck in your hands.
You set it down because you use the silly thing to hide other things in your hand....It would look really stupid to use it in a card set.
KG
This discussion about stuff hidden in the hands has no bearing upon the character presented by performer nor the magic from audience perspective. Ones character uses the wand to point to things, push them, tap them and ... to make the magic happen.
An actor playing the part of a wizard.
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Re: To wand or not to wand?
Leonard Hevia wrote:Brandon--if you were to perform a card effect like 3 card monte or wild card, and follow it with the cups and balls, would you also use the wand for those card effects?
No. I believe the magic comes from me and not the wand. Therefore, I do not to use one. If I decided to imbue the wand with the "magic power", then, I guess I would HAVE to use it.
"Hope I Die Before I Get Old"
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