Ennobling Magic

Discuss general aspects of Genii.
Jack Shalom
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Re: Ennobling Magic

Postby Jack Shalom » November 26th, 2017, 8:28 pm

jkeyes1000 wrote:
Jack Shalom wrote:Jkeyes, you are confusing logical types. See Bateson on schizophrenia.

Real life is not equal to a play is not equal to the play within the play is not equal to the play within the play within the play.


I have no idea what "logical types" you are referring to. As I am quite the adept at logic, I eagerly await your contribution to the subject so we can settle this.


http://www.biolinguagem.com/ling_cog_cu ... cation.pdf

The menu is not the dinner; the map is not the territory.

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jkeyes1000
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Re: Ennobling Magic

Postby jkeyes1000 » November 26th, 2017, 8:30 pm

jkeyes1000 wrote:
Brad Henderson wrote:again, your definition is nonsense.

if i look at a non coin in my hand and act as if one is there MY INTENT is to convey untruthful information. It is NO different from telling you there is a coin there when it isn't.

and my definition that i quoted wasn't 'the vernacular' it came from an actual dictionary.

so there is that.

tell me. if i flip through a book and look down as i say 'page 121'. how is that a lie? i never said we stopped at page 121. i just made a statement and that led you to assume that the page was 121

how is that different from slydini taking a coin that isn't in his left hand and pretending to transfer it to his right?

both intentionally convey false information.

how is one a lie and one not?

and you never addressed the difference between magic and illusion. in star wars we have the illusion of space ships laying. is that magic? has anyone ever confused one for the other?


You keep calling it my definition, as if you hope to marginalise it. I quoted The Oxford English Dictionary, Mr. Henderson.

"Nonsense"?

It is a pity we have to go over this again, but it appears that you will not get it. A lie is an INTENTIONALLY false STATEMENT. Not an intentionaly false impression. They are not the same.

If Slydini had said, "Now that the paper ball is in this hand, I want you to watch closely"- that would have been a lie. What he would say is, "Watch carefully. I put the ball in my hand..."

Which was not a lie. He did put it in his hand, albeit very briefly.

Your definition of "lie" is not the first one in any dictionary that I am familiar with. The primary definition is the proper one. The others are less authorataive, generally from the vernacular. An example might be the colloquial usage of "living a lie". But such dramatic interptetations are not meant to supplant the literal meaning.

As for your Star Wars references: I never suggested that all ilusions constitute magic. I said that filmed versions of magical effects belong in the "magic" genre, just as music videos belong in the "music" category. Whether they are "live or Memorex" notwithstanding.

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jkeyes1000
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Re: Ennobling Magic

Postby jkeyes1000 » November 26th, 2017, 9:27 pm

Tom Moore wrote:
The primary definition is "An intentionally false statement". You are using the common vernacular, the sort that misintertprets it as "Anything false or untrue".


So to revert to my example - saying "lets bury your card in the middle of the deck" after top-changing it is an intentionally false statement.
But the baffles, distractions and carefully controlled movements of a pass to move a card genuinely inserted in to the middle of the pack is also an intentionally false statement - a whole series of moves and distractions designed to deliberately (and intentionally) deceive the audience in to believing that you have "done absolutely nothing" when you have knowingly done lots.


A false move is not a false statement.

False moves are necessary to achieve magical effects and I have no problem with them. Nor do I think a general audience would. But spoken lies violate an implicit trust.

This is only my opinion, but I think audiences expect you be honest in what you say, and ONLY attempt to deceive them with sleight-of-hand, clever gimmicks and the like.

Seriously, who would pay to be lied to? Lying is not a skill, no matter how good you may be at it. It is a verbal substitute for action, a bill of sale and nothing more.

Why connive to lie when you have no need? Let your volunteer pick a card snd sign it. Say, "May I?" and show the face of the cstd to the crowd. Surreptitiously couple the chosen card with a dummy that you had palmed. Square them and show the face one more time before dropping the two cards as one on top of the deck, which may be held in the participants hand.

Ask him or her to insert the top card in the middle of the deck. You might even be bold enough to say "your card". Snap your fingers and, ",Vois-la!"

No lies.

performer
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Re: Ennobling Magic

Postby performer » November 26th, 2017, 9:54 pm

Actually I have just been thinking over my repertoire and the lie content is virtually nil except for a very rare instance or two. I bet that is the same for virtually everyone here. Plenty of deception and implied untruths but hardly anything in the way of downright lies. That proves it can indeed be done. Whether one would want to is another matter but it isn't as tough to do as I imagined.

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jkeyes1000
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Re: Ennobling Magic

Postby jkeyes1000 » November 26th, 2017, 10:28 pm

Jack Shalom wrote:
jkeyes1000 wrote:
Jack Shalom wrote:Jkeyes, you are confusing logical types. See Bateson on schizophrenia.

Real life is not equal to a play is not equal to the play within the play is not equal to the play within the play within the play.


I have no idea what "logical types" you are referring to. As I am quite the adept at logic, I eagerly await your contribution to the subject so we can settle this.


http://www.biolinguagem.com/ling_cog_cu ... cation.pdf

The menu is not the dinner; the map is not the territory.


I fail to see the relevance of this link to my argument. It seems to me it would better ne directed ay those that equate "lies" with "illusions".

Brad Henderson
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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 12:17 am

you say spoken lies violate an intrinsic trust

1) how does the audience know you have lied unless you tell them how the trick was done? perhaps that's your problem. you're not supposed to do that.

2) you claim intent is key but somehow you suggest that being caught in a verbal lie would harm the relationship you have with the audience but getting caught in a physical lie wouldn't? why?

2) what intrinsic trust? show me where an audience expects intrinsically that they should trust what a magician says?

3) the opening statement of star wars is a lie by your definition. you say a lie would prevent the audience from having an impactful experience - that the lie lessens that experience some how. In star wars, unlike your magical example, the audience KNOWS the statement to be a lie becaue they don't expect a movie to tell the truth - the exact same as they expect from a magician. Can you show us how the lie in star wars negatively impacted the audiences experience?

Brad Henderson
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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 12:22 am

jkeyes1000 wrote:
A false move is not a false statement.

False moves are necessary to achieve magical effects and I have no problem with them. Nor do I think a general audience would. But spoken lies violate an implicit trust.

This is only my opinion, but I think audiences expect you be honest in what you say, and ONLY attempt to deceive them with sleight-of-hand, clever gimmicks and the like.

Seriously, who would pay to be lied to? Lying is not a skill, no matter how good you may be at it. It is a verbal substitute for action, a bill of sale and nothing more.

Why connive to lie when you have no need? Let your volunteer pick a card snd sign it. Say, "May I?" and show the face of the cstd to the crowd. Surreptitiously couple the chosen card with a dummy that you had palmed. Square them and show the face one more time before dropping the two cards as one on top of the deck, which may be held in the participants hand.

Ask him or her to insert the top card in the middle of the deck. You might even be bold enough to say "your card". Snap your fingers and, ",Vois-la!"

No lies.


1) show me a video of you performing the deceptively please. you submit a tape
of you doing it your way, i'll do a double and lie through my teeth. let's see if my
lies lead my audience to have a lesser experience than your truths. in fAct, i contend the more i lie the more intense experience i can create - one they will attempt to defend precisely because it is a lie!

2) can you prove your claim that people don't expect magicians to lie to them? i have at least a score of posters on my wall that suggest otherwise - or do you really believe that women can be sawed in half, that these are lost mysteries of ancient egypt, or that the priestess of delphi knows your inner most thoughts.

3) who would pay to be lied to? ever been to a strip club? heard of a movie called star
wars? been to the theater? seen a painting of a pipe that wasn't a pipe? ever hear of people who have hired a 'gambling expert' who 'regularly consults for casinos' and performs 'moves only three people in the world can do'? Or perhaps you should ask the people who bought tickets to the show of one expert at nlp, body language and hypnotism.

4) how come i have never heard of jkeyes but i have uri gellar?

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 1:29 am

. . . unless you convince your audience that you believe these things yourself, NO one will believe you. All these things influence the minds of the spectators. The performer has one great advantage: the average spectator WANTS to believe. If your expression, your attitude, do not express beliefs, people will immediately see in your face that whatever you were saying or doing is not true. [NOTE: clearly here slydini acknowledges the power of a lie. - bh] If, on the contrary, you can convince them that YOU believe, they will follow in your faith." (emphasis per original - capitals substituted for italics) - slydini

apparently slydini didn't accept your notion that people don't like being lied to. he thinks they want to believe and establishes that saying things that are untrue.

not that his opinion makes anything more or less true, but as you mentioned his work to validate your claim i felt it worthy pointing out how once again, you're wrong.

ps check out his script for helicopter card in the ganson book of you need more convincing that slydini was ok with lying.

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 2:25 am

jkeyes1000 wrote:
You keep calling it my definition, as if you hope to marginalise it. I quoted The Oxford English Dictionary, Mr. Henderson.

"Nonsense"?

It is a pity we have to go over this again, but it appears that you will not get it. A lie is an INTENTIONALLY false STATEMENT. Not an intentionaly false impression. They are not the same.

If Slydini had said, "Now that the paper ball is in this hand, I want you to watch closely"- that would have been a lie. What he would say is, "Watch carefully. I put the ball in my hand..."

Which was not a lie. He did put it in his hand, albeit very briefly.

Your definition of "lie" is not the first one in any dictionary that I am familiar with. The primary definition is the proper one. The others are less authorataive, generally from the vernacular. An example might be the colloquial usage of "living a lie". But such dramatic interptetations are not to meant to supplant the literal meaning.

As for your Star Wars references: I never suggested that all ilusions constitute magic. I said that filmed versions of magical effects belong in the "magic" genre, just as music videos belong in the "music" category. Whether they are "live or Memorex" notwithstanding.


1) sorry, in my example i stopped on a page and merely said 121. i never said that was page 121, did i? so my verbal statement isn't false is it. it's my handling and attitude that suggests i'm looking at the page i'm talking about that is false, which according to your 'theory' isn't a lie. right?

2) ah. the oed. shame they don't hold themselves to the same standard that you do. this is from their site:

"The Oxford English Dictionary is not an arbiter of proper usage, despite its widespread reputation to the contrary."

3) you may not know this but the oed is a descriptive dictionary. that means it attempts to describe the actual use of words - in other words, their use in the vernacular.

in fact the way the first one (oed) was written relied entirely on extracting a words meaning from usage. i learned that in a bio called the professor and the madmen. this suggest knowing something about your topic is wise before commenting on it.

4) the actual definition from the oed reads:

An intentionally false statement.
‘they hint rather than tell outright lies’
‘the whole thing is a pack of lies’
More example sentencesSynonyms
1.1 Used with reference to a situation involving deception or founded on a mistaken impression.
‘all their married life she had been living a lie’

it's hard to claim that 1.1 is a nonstandard or outdated definition of the word, especially when the oed itself doesn't mention anywhere that is how it is arranged.

5) filmed magic may 'belong to a sub category' of magic but not all films are magic - except by your definition which suggests that magic is merely an effectively produced illusion. that's the definition of magic you have backed, not me.

if that's all that magic is, then any film is identical to magic. this suggests your definition is flawed because, as anyone who has studied the history of definitions knows, a good definition not only accurately describes what a thing is but also excludes that which it isn't.

your 'defense' is flawed on many levels. 1) a music video could just as rightfully be considered a category of film and not music.

2) all music is composed of sounds but not all sounds are music. So a tape of traffic wouldn't necessarily be considered a category of music. could it? yes. so obviously the critical element isn't just sound.

had you spend any time studying those 'portrait painters' you dismiss you would have already been exposed to these issues. you're really in well over your head here. you might want to spend some more time with books and less with 'databases'

i almost hate having to say it again - but you're wrong.

about almost everything.

that's quite the accomplishment.

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magicam
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Re: Ennobling Magic

Postby magicam » November 27th, 2017, 2:59 am

Over the past 46 years or so, I have heard a wide variety of spectator criticisms of magicians' performances. I have never heard a spectator say something along the lines of, "s/he's not very good or entertaining because I can't tell when s/he's lying and when s/he's telling the literal truth." Nor have I ever heard a spectator doubting a magician's fundamental character (as a human being) just because the magician was deceptive or "lied" in a performance.

IMHO, the concern about a magician's core integrity and honesty strictly in the context of performance art seems bizarre.

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Re: Ennobling Magic

Postby performer » November 27th, 2017, 7:43 am

I thought I would prove my theory that hardly any of us lie in our performances anyway. Use deception yes but not outright lie. I thought finding a video of Brad performing would be an excellent example. I thought I would be able to triumphantly post a video showing him not telling a single lie. Alas my dastardly plot backfired. The first video I came across showed him lying through his teeth from the minute he started to the minute he finished. It was at a trade show, so for all I know he might have been lying about the product he was representing too!

Anyway here is the video. Lie after lie after lie from the minute he opens his mouth. So much for my theory about magicians not telling lies anyway.

https://www.youtube.com/watch?v=6seZCLCU-Yo

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jkeyes1000
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Re: Ennobling Magic

Postby jkeyes1000 » November 27th, 2017, 7:59 am

I think Mr. Henderson has got plenty of rope. I don't feel the need to provide him any more.

Brad Henderson
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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 8:23 am

mark, absolutely. and you know what: both the crowds and the company loved it. I worked for that company for 3 years and made a lot of money from them. More importantly, they felt i help them make a lot of money as well. So clearly my 'lying' didn't negatively impact what the customers thought about me or the company/product.

of course that video is almost 15 years old now. i'd like to think i've gotten much better, at magic AND lying.

always good to see you here

;)
Last edited by Brad Henderson on November 27th, 2017, 8:38 am, edited 2 times in total.

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 8:31 am

jkeyes1000 wrote:I think Mr. Henderson has got plenty of rope. I don't feel the need to provide him any more.


please - be my guest

your attempt to deflect from the points raised in my posts (including that which reveals your complete ignorance of how a dictionary actually works) is as thin as your 'reasoning'.

as clay pointed out, i can't think of any moment during any of the tens of thousands of tricks i've performed in my lifetime that anyone has ever expressed the opinion that they thought less of me for successfully creating a magical experience for them - regardless of whether i used a pass. a thread, or a lie.

your position on face value falls apart because you seem to assert that the audience knows your lying.

how?

how do they know it isn't page 121 (if that's a lie at all, as i pointed out)?. how do they know it really isn't their card in the deck? and how are their feelings different if they learn the that the card isn't theirs regardless of whether or not you stated it verbally? your position is based on some groundless belief that an audience who catches you in a verbal lie reacts differently
than if they catch you in a physical one.

utter
[censored]
nonsense.

can you provide any evidence of any kind that suggests that a performance or a trick is lessened by using lies?

all we have is the claim of someone who has demonstrated he knows nothing of trick structure (would LOVE to see you pull off that ambitious card phase you described - perhaps your problem isn't that you tried lying during it but that it's an awful method) or even how a dictionary works? you clearly have zero background in aesthetic theory and the only definition you have offered for magic may be the worst - no, second worst, i have ever encountered for more reasons that i can likely count. .

so, please, try to hang me. Show me how my questions trap me into a corner where your baseless claims are proven correct.

please

pretty please

pretty please with a cherry on top

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Re: Ennobling Magic

Postby performer » November 27th, 2017, 9:04 am

This is one of the daftest threads I have ever come across. I am in state of confusion wondering whether I tell lies when I perform. I honestly can't remember. I must check out one of my own trade show videos to see if I tell less lies than Brad does. Or indeed any at all. Or maybe more than he does. In all the years I have been doing magic I have never even thought about it. I don't remember it being mentioned in a single book.

But wait! I think I just remembered something. One moment please! Look at what I said at 1.34 in! And I was telling the truth!

https://www.youtube.com/watch?v=JxwujHN0w7s

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Re: Ennobling Magic

Postby Jonathan Townsend » November 27th, 2017, 9:17 am

jkeyes1000 wrote:...Is it really a good idea for magicians to lie to the audience? ...
Do you not think that we could elevate the resprctability of Magic by sticking to visual illusions and dispensing with deliberate misstatements?


Adding a sense of virtue by having the character not say a thing which is obviously false, disputable, invites skepticism?

Did you get to see Jerry Andrus perform in person? He espoused a position similar to what you are arguing.

Strictly visual illusions fall apart at a slight angle, an examination of the props, a second viewing ... turning the card face up... dropping the coins to the table and hearing an odd clatter...

How do you propose to get though a coins across routine? Or a card trick, say "The Devil's Elevator" which has miscalling cards as part of the method?
Mundus vult decipi -per Caleb Carr's story Killing Time

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Re: Ennobling Magic

Postby MagicbyAlfred » November 27th, 2017, 10:21 am

This thread, coupled with Performer bringing up the Gray's Spelling Trick, has reminded me of a sweet little trick I used to do called, "Lie Detector." It almost always got an excellent reaction.

The version I know uses 8 cards, one of which is selected by the spectator and then "lost" and shuffled amidst the others. You tell the spectator that he/she has a choice to lie or tell the truth each time you ask a question. You ask for the value or rank of the card (e.g. they may say "7"), so you spell whatever they say, one card dealt for each letter. Then you spell "of," since every card is the something OF something. Then you ask them the suit, and you spell that (e.g. they may say "Diamonds"). Finally you spell out T-R-U-T-H, and the last card of that spelling is always the selection regardless whether they lied each time, told the truth each time, or some combination of each. Even if the selection was actually say, the two of clubs, which obviously spells with a lot fewer letters than seven of diamonds. Yet even if they had told the truth to the questions, or part truth, part lie, it would always still work. It gets stronger with repetition, and is a very baffling little item (even to me when I do it for myself).

I am definitely going to start doing the trick again - and they are the ones who get to lie. Even the magician's claim that the cards act as an infallible lie detector turns out to be the truth...

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Re: Ennobling Magic

Postby Jackpot » November 27th, 2017, 11:04 am

jkeyes1000 wrote:I think Mr. Henderson has got plenty of rope.


Since this statement is not a fact (and depending on which of the two definitions one chooses) it is either a lie or an illusion. Since I think the poster truly believes the statement I'm going with illusion. Lie is too harsh a term for our discussion here.
Not the one who created the Potter Index.

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Re: Ennobling Magic

Postby jkeyes1000 » November 27th, 2017, 12:20 pm

Jonathan Townsend wrote:
jkeyes1000 wrote:...Is it really a good idea for magicians to lie to the audience? ...
Do you not think that we could elevate the resprctability of Magic by sticking to visual illusions and dispensing with deliberate misstatements?


Adding a sense of virtue by having the character not say a thing which is obviously false, disputable, invites skepticism?

Did you get to see Jerry Andrus perform in person? He espoused a position similar to what you are arguing.

Strictly visual illusions fall apart at a slight angle, an examination of the props, a second viewing ... turning the card face up... dropping the coins to the table and hearing an odd clatter...

How do you propose to get though a coins across routine? Or a card trick, say "The Devil's Elevator" which has miscalling cards as part of the method?


I didn't mean strictly mute performances, I meant refraining from direct misstatements.

By the way, some of you seem to think I have something against fiction, which I do not. I make up misleading PREMISES quite frequently in my routines. For instance, my Impromptu Book Test uses the framework of a scientific experiment to test one's ability to retrieve "sublimial imagery" from the subconscious.

But I assiduously refrain from mischaracterising my actions. If I have something to hide, I do not dispel suspicion by stating that I am doing something that I am not. I let my behaviour cover it, my manner, but I do not lie.

"Miscalling" can sometimes be excused. I do it in The Book Test as well. But unlike the "bold" method, I do not TELL the audience what page number THEY chose. Both I and the participant pick a random number and write it down. AFTER they announce their number, I reveal mine. Which I did not already have in mind, but which was selected IN RESPONSE to theirs, so that when we "split the difference" (find the average), we arrive at the force number.

So long as I do not overtly proclaim that my number had already been determined on paper, I am a deceiver, but no liar.

Any trick that absolutely cannot be performed without lying, I consider to be not only useless to me personally, but hurtful to the profession.

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Re: Ennobling Magic

Postby Jack Shalom » November 27th, 2017, 1:57 pm

jkeyes1000 wrote:
Jack Shalom wrote:
jkeyes1000 wrote:
I have no idea what "logical types" you are referring to. As I am quite the adept at logic, I eagerly await your contribution to the subject so we can settle this.


http://www.biolinguagem.com/ling_cog_cu ... cation.pdf

The menu is not the dinner; the map is not the territory.


I fail to see the relevance of this link to my argument. It seems to me it would better be directed at those that equate "lies" with "illusions".


From page 10 of the paper:

" But, certainly in human life and probably in that of many other organisms, there occur signals whose major function is to classify contexts. It is not unreasonable to sup-pose that when the harness is placed upon the dog, who has had prolonged training in the psychological laboratory, he knows from this that he is now embarking upon a series of contexts of a certain sort. Such a source of information we shall call a "context marker,"and note immediately that, at least at the human level, there are also "markers of contexts of contexts." For example: an audience is watching Hamlet on the stage, and hears the hero discuss suicide in the context of his relationship with his dead father, Ophelia, and the rest. The audience members do not immediately telephone for the police because they have received information about the context of Hamlets context. They know that it is a "play" and have received this information from many "markers of context of context"—the playbills, the seating arrangements, the curtain, etc, etc. The "King," on the other hand, when he lets his conscience be pricked by the play within the play, is ignoring many "markers of context of context."

The notion of "lying" is context dependent. You underestimate the audience's ability to perceive the context markers.

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 2:53 pm

jkeyes.

can you demonstrate that a lie harms the profession? can you offer a trick that doesn't use lies and demonstrate that the same trick with lies is perceived as "less than" by the audience?

you make claims but have nothing to back them up other than the merit of your authority, which given that i've heard of uri gellar and not you says a lot about how much we should value said authority.

how does the audience know you're lying unless you are an incompetant magician?

Now being incompetent hurts our art. one that i agree.

clearly you must keep getting caught in lies in order to know how they affect the public's perception.

are you incompetent, or just making baseless claims ?

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Re: Ennobling Magic

Postby jkeyes1000 » November 27th, 2017, 4:45 pm

Brad Henderson wrote:jkeyes.

can you demonstrate that a lie harms the profession? can you offer a trick that doesn't use lies and demonstrate that the same trick with lies is perceived as "less than" by the audience?

you make claims but have nothing to back them up other than the merit of your authority, which given that i've heard of uri gellar and not you says a lot about how much we should value said authority.

how does the audience know you're lying unless you are an incompetant magician?

Now being incompetent hurts our art. one that i agree.

clearly you must keep getting caught in lies in order to know how they affect the public's perception.

are you incompetent, or just making baseless claims ?


The purpose of this post was to solicit the opinions of magicians, not to prove ny contention, Mr. Henderson.

I propose (if you want proof of Public Opinion) that you hand out a simple questionnaire to your spectators.

"What sort of magician would you most admire (chose one)?

[ ] One that speaks the truth but engsges in sleight-of-hand and/or employs gimickery

[ ] One that willI lie in order to deceive you into thnking he can work miracles

I won't be so bold as to venture a guess. You tell me after you've conducted your poll.

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Re: Ennobling Magic

Postby performer » November 27th, 2017, 5:03 pm

One of my most effective fibs when performing is that I often say just before starting a trick, "I read this in a book yesterday. I am not sure I can do it properly" or something like. "I have only just learned this trick this morning. I haven't practiced it properly yet" Of course I have probably done the trick for about 30 years or so.

This makes people sympathetic to me which is always good but it can also make people underestimate me and then I go in for the kill. I like to pretend that half the time I don't know what I am doing (and come to think of it I often don't). I fumble deliberately and feign absentmindedness. This takes away people's automatic resentment of a magician which I have often talked about. It makes hecklers underestimate me and then I turn the tables on them and go in for the kill.

I respect jkeyes position but it is not something that would fit me personally. I have been racking my brains but I can only think of one lie I would never utter. That is, I could never say on television, "There are no camera tricks" if there actually were. Somehow that would be a breach of trust and I couldn't do it somehow. But overall I am not like that mendacious scoundrel Brad Henderson and there are actually surprisingly few blatant lies in my work anyway. Deception and false implications certainly but very few downright lies. Just a tiny, tiny few. I do have a gut instinct that the less the better but I don't tell that many anyway.

I really should be nominated for sainthood.

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 5:06 pm

how do you not get this?

the audience should never know if you are using sleight of hand, mirrors. thread. cold reading, electronic devices, trap doors, stooges, or lies.

and this notion that lies cannot be unspoken is ridiculous. this is some [censored] definition that belies a complete lack of understanding of how a dictionary works.

and you didn't ask for your opinion. you said lies harm magic

can you back that up?

you can't

because if the audience knows you lied you failed.

the question you are asking is 'does being a failure at magic lead the audience to hold magic in low regard'?

yes. yes it does

but not because you lied

because you suck at magic.

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Re: Ennobling Magic

Postby jkeyes1000 » November 27th, 2017, 5:59 pm

performer wrote:One of my most effective fibs when performing is that I often say just before starting a trick, "I read this in a book yesterday. I am not sure I can do it properly" or something like. "I have only just learned this trick this morning. I haven't practiced it properly yet" Of course I have probably done the trick for about 30 years or so.

This makes people sympathetic to me which is always good but it can also make people underestimate me and then I go in for the kill. I like to pretend that half the time I don't know what I am doing (and come to think of it I often don't). I fumble deliberately and feign absentmindedness. This takes away people's automatic resentment of a magician which I have often talked about. It makes hecklers underestimate me and then I turn the tables on them and go in for the kill.

I respect jkeyes position but it is not something that would fit me personally. I have been racking my brains but I can only think of one lie I would never utter. That is, I could never say on television, "There are no camera tricks" if there actually were. Somehow that would be a breach of trust and I couldn't do it somehow. But overall I am not like that mendacious scoundrel Brad Henderson and there are actually surprisingly few blatant lies in my work anyway. Deception and false implications certainly but very few downright lies. Just a tiny, tiny few. I do have a gut instinct that the less the better but I don't tell that many anyway.

I really should be nominated for sainthood.


I don't consider "acting" to be "lying", Mark. Pretending to be an amateur is one of my preferred approaches (for the very reasons you stated). So much so that I refuse to accept remuneration, looking at folks as if to say, What? Do you take me for a street performer?

I am what you might call a "Method" actor. I take it so seriously that I never let up, no not even to acknowledge applause. I appear bewikderd and consternated by it.

A private little joke I am sharing with you. And the answer to Brads question as to why I am not known. Fame is not my object.

Yes, Magic is theatre. And you are allowed to "act". I would strongly suggest that some of you take lessons. But it is a special kind of theatre. You are playing a magician, all well and good. That is your CHARACTER. But the play itself, if it is to be distinguished from the very dubious melodramas, trajedies and comedies that you despise as inauthentic, then you must eschew certain liberties.

I think that lying is as detrimental to your rep as stooges and camera tricks anyday. Note that Mr. Henderson (who calls me a coward) doesn't dare to ask his audience what they think if lying.

He thinks they're never going to find out, despite The Internet and the ease with which anyone with a fleeting curiosity may discover the secrets of magic.

It doesn't matter a fig whether they know WHEN you are lying. If they know you are the sort to lie, they will doubt your every word.

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Re: Ennobling Magic

Postby performer » November 27th, 2017, 6:23 pm

You know, I think it would be very helpful if you define for us what you consider a lie and what you consider a deception or to use the old term "theatrical licence"

Perhaps you could give us specific examples of what you consider a lie and what you consider not a lie?

Specific examples I think will make your position in this matter a lot clearer methinks.

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 7:11 pm

i call BS.

i would LOVE to see a performance of this noble truth teller. Can you please show us a link? i love when people tell 'others' they need to take acting lessons. What's the over under that keyes speaks with a pseudo british accent, lots of pauses that signify nothing, and manages merely
to bore and confuse?

and whether or not fame is your object the fact is we know of gellar so clearly lying didn't get into his way

and who said we have to eschew anything as a magician? where is this rule written? and who says i must despise a comedy?!?

heck, maybe i'm wrong. Maybe you're an amazing actor and your role is that of magic's villiage idiot, because you are clearly living in a world of your own invention where words mean only what you believe them to be and people think your. handling of the ambitious card is deceptive. if so i nominate you for an oscar

and AGAIN, you miss the point. Why would i tell an audience i use gaffs, sleight of hand, stooges, trap doors. electronics OR lies. who tells the audience how magic is done? not a magician, that's for sure, unless he's lying to lead them down a false path.

i've been performing professionally now for over 40 years and not once has any audience member ever chastised me for lying - because if you do it correctly they won't know.

and you really think that if they google the levitation illusion they will focus on your lie that the properties of ether made her lighter than air and not the giant metal rod holding her up?

were you raised in the wild? because to don't seem to know anything about how normal human beings think or react.

my audiences don't care that i lie. in fact when i do my job successfully, They don't care how i do what i do. In fact, they will work to prevent knowing how it's done because my job is to give them an experience they value greater than knowing how

you think like a juggler without a soul - you seem to think magic is a puzzle and that the puzzler must abide by certain rules.

i'm sorry man, but you just don't get it.

but hey, there is a simple way to show that i'm wrong - you admit
you can't backup your claim with theory so let's see some performance videos and judge how your approach to magic actually plays in practice. Show us how your approach is better. if it is, we should be able to tell a difference between your work and any lying magi.

put up or shut up

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Re: Ennobling Magic

Postby jkeyes1000 » November 27th, 2017, 7:56 pm

performer wrote:You know, I think it would be very helpful if you define for us what you consider a lie and what you consider a deception or to use the old term "theatrical licence"

Perhaps you could give us specific examples of what you consider a lie and what you consider not a lie?

Specific examples I think will make your position in this matter a lot clearer methinks.


Well, let me put it this way, Mark. You can fib all you want if it doesn't have anything to do with the trick itself and no one is likely to care. What they will spite you for is lying IN ORDER to trick them. So if you can't help yourself (like Mr. Henderson), I would suggest you you limit yourself to colourful patter.

Does anyone recall Edgar Allan Poes debunking of Maezels Chess Player (a supposed automaton that was really a hollow statue with a diminutive chess champ cramped inside it)?

You can can call it "theatre" or "magic" or "entertainment", but if it vaunts of credibility or veracity, your act is going to be judged on that basis. A clever trick will be resented as a FRAUD if you swear by its legitimacy.

Do we then ADMIT that we are liars? No, according to Brad, we must keep that to ourselves, lay lie upon lie in order to augment our honourable facades.

I have heard diametrically opposite arguments (often from the same individuals) in this thread. Don't sweat it! Everybody lnows magicians lie. What's the big deal? And by and by I hear, No, no! We can't ask them what they think of lying. They're not supposed to know that!

,But to answer your question, Mark.

In the context of a magic peformance, a lie is a verbal statement asserting a falsehood or denying a fact RELATED DIRECTLY TO THE MEANS BY WHICH THE EFFECT IS ACHIEVED.

If I feign a headache as an excuse to grab a bottle of aspirin, that is not a "significant" lie. But if I say, "Oh, rot! It's empty!" and proceed, after a tap of ye olde wande to pour a torrent of pills out of it, that would be a lie (unless I were clever enough to be true to my statement by introducing the tablets to the INDEED EMPTY bottle through a hole fitted with a tube up my sleeve).

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 8:07 pm

can you please show us an example of someone upset that the magician lied to them to accomplish their trick? but first show me that person who reacts differently from realizing the trick was accomplished with a fake transfer as opposed to a lie?

and again, what caliber of magician (or actor) are you that you constantly have lay people busting for lying?

and did poe explore the turk because he knew maezel lied? if so why don't we see other exposes of the many false automata presented in that age?

you literally have no grounding in magic, do you?

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Re: Ennobling Magic

Postby jkeyes1000 » November 27th, 2017, 9:07 pm

Brad Henderson wrote:can you please show us an example of someone upset that the magician lied to them to accomplish their trick? but first show me that person who reacts differently from realizing the trick was accomplished with a fake transfer as opposed to a lie?

and again, what caliber of magician (or actor) are you that you constantly have lay people busting for lying?

and did poe explore the turk because he knew maezel lied? if so why don't we see other exposes of the many false automata presented in that age?

you literally have no grounding in magic, do you?


You are becoming less coherent than ever, Mr. H. I sm not sure what you are saying, to be honest.

Do you presume that I have been "caught lying" whilst performing? No, not that I recall.

However, you do prompt me to explain why the subject is particularly important to me.

Because I tend to present myself as a professor of some sort, rather than as a stage magician, I am intensely concerned with allaying suspicion. In other words: I may be more worried about being perceived as a fraud than you are. If that doesn't bother you, then lie all you like. I mean, what's the worst that could happen? I suspect your audiences don't tske you very seriously anyway.

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Re: Ennobling Magic

Postby Jack Shalom » November 27th, 2017, 9:22 pm

But if I say, "Oh, rot! It's empty!" and proceed, after a tap of ye olde wande to pour a torrent of pills out of it, that would be a lie

In this situation, a magician can:

1) Say it's empty, then pour out the pills
2) Say nothing, show that the bottle is apparently "empty," then pour out the pills
3) Say it's empty, show that the bottle is apparently "empty," then pour out the pills

And your argument is that #1 and #3 are so morally different from #2, that an audience will be up in arms? Nothing I've ever experienced as an audience member or performer leads me to believe that. It is a distinction without a difference in the moral dimension. They are either all lies or none of them are.

None of them are.

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Re: Ennobling Magic

Postby Tom Gilbert » November 27th, 2017, 9:41 pm

Creating a problem where there is none?

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Re: Ennobling Magic

Postby jkeyes1000 » November 27th, 2017, 10:35 pm

Jack Shalom wrote:
But if I say, "Oh, rot! It's empty!" and proceed, after a tap of ye olde wande to pour a torrent of pills out of it, that would be a lie

In this situation, a magician can:

1) Say it's empty, then pour out the pills
2) Say nothing, show that the bottle is apparently "empty," then pour out the pills
3) Say it's empty, show that the bottle is apparently "empty," then pour out the pills

And your argument is that #1 and #3 are so morally different from #2, that an audience will be up in arms? Nothing I've ever experienced as an audience member or performer leads me to believe that. It is a distinction without a difference in the moral dimension. They are either all lies or none of them are.

None of them are.


I merely gave an example of my definition of a lie. Whether or not the audience objects is not for me to predict. What I am suggesting is that this is a statement whose purpose is to deny that there are pills secreted in the bottle. Which I see as an unnecessary risk to the performer's cred,

I have never read of a trick that could not be performed just a well, if not to bettet effect, by scouring it of lies. Have you any examplesI that you believe to REQUIRE dishonesty?

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 10:43 pm

but you're the one who claimed that lying harms the art.

you haven't shown that being caught in a verbal lie results in an difference in response in being caught in a physical lie. Nor have you explained how an audience would know you were lying unless you are incompetent. then you say you can't predict how an audience would respond. and you say i'm not making sense?!?

can you do a trick without lying? maybe. will it make it better - not necessarily. can a lie make a trick better, absolutely.

can you lie well enough to do that - clearly not. but your failures are not my liabilities.

as michael weber says sometimes the shortest distance between two points is a straight lie - or are you going to suggest that michael weber's audiences don't take him seriously ?

but let's take a step back. you say you haven't been caught in a lie. but you say that an audience will think less of magic if the magician is caught in a verbal lie (ignoring that getting caught in a physical lie will likely result in the same response)

now, you admit you can't prove that this is true. and you have just admitted you have no experience from which to draw the conclusion that your claim is true

so you are basically just pulling crap out of your ass and labeling it an idea

but hey, maybe i'm wrong. show us a video of 'the professor' in action.

are you a professor? if not, methinks you have just shot yourself in the foot

and why do you think my audiences don't take me seriously?

is this another one of your insightful claims that you are pulling out of your ass

as i said earlier - put up or shut up

i don't think you can likely perform a single piece, start to finish, in a manner that an experienced performer would consider 'adequate'

show me wrong

please

i'm begging you!!!!
Last edited by Brad Henderson on November 27th, 2017, 10:51 pm, edited 1 time in total.

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Re: Ennobling Magic

Postby Brad Henderson » November 27th, 2017, 10:48 pm

jkeyes1000 wrote:. Whether or not the audience objects is not for me to predict.


everything you have written is predicated on the belief that you CAN predict how an audience would respond to a lie.

a pm suggested you were a troll. i said i thought you were just stupid. but i think we are both right. you are a stupid troll.

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Re: Ennobling Magic

Postby Tom Sawyer » November 27th, 2017, 10:59 pm

Hi All,

I have not read everything in this thread. However, I do at least see an “issue” here — as, I gather, Mark Lewis and maybe others do as well. In support of the view that is opposite to the view that seems generally expressed on this thread, I quote the following, from the enlarged version of Later Magic, by Professor Hoffmann, page 637. This is from Google Books, from a copy at Stanford University (digitized by Google). (Yes, I do have a number of copies in my collection, but it was easier to consult Google books.)

Hoffmann is here talking about Joseph Michael Hartz and “A Devil of a Hat." Hoffmann says:

Next came the cigar boxes. This very effective item was discarded in Hartz's later performances, in order to enable him to state, with truth, that not a single article of a collapsible nature was used in the trick. [Footnote omitted.] The alteration is characteristic of the man. Most conjurers are content if they deceive the public and regard any means of doing so as legitimate, so long as the illusion is complete. Hartz aimed higher. His ambition was to puzzle the expert as well as the outsider—to do something that no one else could do—and to that end he deliberately went out of his way to make the conditions of his performance as difficult as possible. From the mere "showman" point of view, such a course was a foolish waste of energy. One cannot, however, too highly admire the artistic feeling which prompted it, and which was the secret of the perfect finish of all Hartz's performances.

--Tom Sawyer

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Re: Ennobling Magic

Postby Jackpot » November 27th, 2017, 11:00 pm

jkeyes1000 wrote:I merely gave an example of my definition of a lie. Whether or not the audience objects is not for me to predict. What I am suggesting is that this is a statement whose purpose is to deny that there are pills secreted in the bottle. Which I see as an unnecessary risk to the performer's cred,

I have never read of a trick that could not be performed just a well, if not to bettet effect, by scouring it of lies. Have you any examplesI that you believe to REQUIRE dishonesty?


But your entire argument has been that the audience will definitely be incensed by what you define as lies.

Besides reading about tricks you need to get out and perform a few. Try different presentations. Don't just guess, but from actual experience see what is and is not effective.

Also I'd like to praise your performance. You have your character from The Three Billy Goats Gruff down pat. Time to move on to something else.
Not the one who created the Potter Index.

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Re: Ennobling Magic

Postby jkeyes1000 » November 27th, 2017, 11:49 pm

Jackpot wrote:
jkeyes1000 wrote:I merely gave an example of my definition of a lie. Whether or not the audience objects is not for me to predict. What I am suggesting is that this is a statement whose purpose is to deny that there are pills secreted in the bottle. Which I see as an unnecessary risk to the performer's cred,

I have never read of a trick that could not be performed just a well, if not to bettet effect, by scouring it of lies. Have you any examplesI that you believe to REQUIRE dishonesty?


But your entire argument has been that the audience will definitely be incensed by what you define as lies.

Besides reading about tricks you need to get out and perform a few. Try different presentations. Don't just guess, but from actual experience see what is and is not effective.

Also I'd like to praise your performance. You have your character from The Three Billy Goats Gruff down pat. Time to move on to something else.


No, my argument has been all along that regardless of how highly respected you may fancy yourselves, it could only enhance your dignity to be "lie free". You must admit that if you and I were competing for attention, at neighbouring venues, all other things being equal, I would have the "edge". Do you not see honesty as a potential selling point, an advantage, to a performer in such a suspect line of work?

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Re: Ennobling Magic

Postby Jack Shalom » November 28th, 2017, 12:19 am

What edge????

If the audience doesn't know the others are doing what you call "lying," how do you have an edge? You may well in fact have lost the edge by refusing to use the most deceptive means to accomplish the trick.

The cigar box example is a poor one, for once again you are confusing contexts. In the cigar box example, the performer is stating a fact about his character--the character doesn't use collapsible items. The equivalent statement from a magician would be "I will give $10,000 for anyone who can prove that I use a stooge or camera tricks." That is the performer speaking about the character of the magician and what methods the performer puts off limits for his character. We all agree that lying about that is not cricket. No one is arguing that.

The example of the empty pill box on the other hand is the magician talking within a magic trick about the hypothetical conditions. A completely different context. The audience knows the magician may not be telling the truth and that that may be part of the deception. Everyone over the age of eight years old understand this about a magic performance. In one we are outside the story, in the other we are in it.

Okay, done here.

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Re: Ennobling Magic

Postby Jackpot » November 28th, 2017, 12:34 am

jkeyes1000 wrote:
Jackpot wrote:
jkeyes1000 wrote:I merely gave an example of my definition of a lie. Whether or not the audience objects is not for me to predict. What I am suggesting is that this is a statement whose purpose is to deny that there are pills secreted in the bottle. Which I see as an unnecessary risk to the performer's cred,

I have never read of a trick that could not be performed just a well, if not to bettet effect, by scouring it of lies. Have you any examplesI that you believe to REQUIRE dishonesty?


But your entire argument has been that the audience will definitely be incensed by what you define as lies.

Besides reading about tricks you need to get out and perform a few. Try different presentations. Don't just guess, but from actual experience see what is and is not effective.

Also I'd like to praise your performance. You have your character from The Three Billy Goats Gruff down pat. Time to move on to something else.


No, my argument has been all along that regardless of how highly respected you may fancy yourselves, it could only enhance your dignity to be "lie free". You must admit that if you and I were competing for attention, at neighbouring venues, all other things being equal, I would have the "edge". Do you not see honesty as a potential selling point, an advantage, to a performer in such a suspect line of work?


I've outgrown competing for attention.

Since I only speak for myself, do not have multiple personalities, nor am I part of The Borg, I do not know why you are saying "yourselves" when you respond to my post.

Trip, trap, trip, trap.... Oh, now I remember.
Not the one who created the Potter Index.


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